Bach Celebration Week Sale

This is the last day that we will be reminding you of the Bach Celebration Week savings that you should be participating in! So, make sure to head over to http://gothic-catalog.com today!

J.S. Bach: St John Passion (1725 version)
Derek Chester, Evangelist
Douglas Williams, Jesus
Ilya Poletaev, organ
William Perdue, violoncello
Abigail Haynes and Mellissa Hughes, soprano
Ian L. Howell and Sylvia Aiko Rider, alto
Steven Caldicott Wilson, tenor
Joshua Copeland, bass
Yale Collegium Players (Robert Mealy, director)
Yale Schola Cantorum
Simon Carrington, director

The rarely performed 1725 version of Bach’s St. John Passion is presented by Yale University’s premier early-music ensembles. Simon Carrington, who initiated his illustrious musical career as cofounder of the King’s Singers, directs this live performance.

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Bach Influences: Kimberly Marshall two-CD special
Kimberly Marshall's "Bach and the Italian Influence" plus "Bach and the French Influence" for a special price!

Bach and the Italian Inflence
Fisk-Nanney Organ
Stanford Memorial Church
Kimberly Marshall, organist

"Bach and the Italian Influence" explores the Italian influences on Bach, and is presented by organ scholar and international performing artist, Kimberly Marshall.

The Stanford Fisk is unique in that it incorporates two different tuning temperaments (well-tempered and meantone), both of which are heard on this recording.

Toccata and Fugue in F-Major, BWV 540/ J.S. Bach
Concerto in d-minor, BWV 596 (based on the Concerto in d-minor, Opus 3, no. 11 by Vivaldi)/ J.S. Bach
Toccata avanti la Messa della Madonna/ Frescobaldi
Canzona dopo l'Epistola/ Frescobaldi
Recercar dopo il Credo/ Frescobaldi
Bergamasca/ Frescobaldi
Canzona in d-minor, BWV 588/ J.S. Bach
Fugue in b-minor on a theme of Corelli, BWV 592/ J.S. Bach
Concerto in G-Major, BWV 592 (based on the Concerto in G-Major by Prince Johann Ernst von Sachsen-Weimar)/ J.S. Bach
Toccata and Fugue in d-minor ("Dorian"), BWV 538/ J.S. Bach

Bach and the French Influence
Fisk-Nanney Organ
Stanford Memorial Church
Kimberly Marshall, organist

Noted organist and scholar, Kimberly Marshall, explores the relationship between French classical composers and Johann Sebastian Bach. The Stanford Fisk incorporates two different tuning temperaments (well-tempered and meantone), both of which are heard on this recording.

Prelude in E-flat major, BWV 552/J.S. Bach
Fantasy in c minor, BWV 562/ J. S. Bach
Fugue à 5/ Nicolas de Grigny
Trio in F Major, BWV 587/ J.S. Bach
Excerpts from Messe des Paroisses/ François Couperin
Fantasy and Fugue in c minor, BWV 537/ J. S. Bach
Excerpts from Livre Premier/ Louis Marchand
Pièce d'orgue, BWV 572/ J. S. Bach

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Bach: Clavierübung III & Schübler Chorales
Joan Lippincott, organ

Joan Lippincott continues her Bach series with two of the most substantial collections published during Bach's lifetime. The Clavierübung III follows Book I (Italian Concerto) and Book II (Goldberg Variations) and precedes Book IV (Art of Fugue), and altogether represents Bach’s highest achievements in the art of writing for the keyboard. Clavierubung III, sometimes called “The Organ Mass” begins with settings of the Kyrie and Gloria, but is structured after the German Lutheran catechism. Included in this recording are both the large chorales, the alternative chorales for manuals only and the four duetti. Bach’s collection of cantata movement transcriptions for organ published by Schübler in 1742 includes the famous “Wachet Auf!”, and rounds out this two-CD collection.

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