Monday, October 4, 2010

We're Back!

Well, we are finally back blogging! A lot has changed in the hiatus, most importantly being that we are now distributed by Naxos of America!

To find out more about this change, check out the Official Press Release from Naxos on Marketwire.com:

Naxos of America Welcomes the Gothic Catalog to Its Family of Distributed Labels
FRANKLIN, TN--(Marketwire - September 30, 2010) - Naxos of America is proud to announce distribution of the Gothic Catalog (www.gothic-catalog.com) label group effective immediately...Click to read the full press release

We also received a warm welcome from the Naxos USA Blog - "Portara"

Meet the Label: A Warm Welcome to Gothic Catalog!

What excites them the most about being a part of the NoA family?

The mission of The Gothic Catalog is essentially a marketing mission, and Naxos of America provides us with world-class marketing and distribution. We have some of the most important choral and organ recordings available, including many premier performances, and Naxos will help us connect them to a wider audience.

Any releases coming up that you would like to share/talk about with our readers?

I am very enthusiastic about a new release by the East Carolina University Chamber Singers directed by Daniel Bara. Called, “Eternal Light”, it features new sacred choral music---some selections “a cappella”, and others with a single instrument---flute, clarinet or bassoon. The major premiere is a 25-minute, four-movement setting of the Agnus Dei by the Norwegian composer Egil Hovland. It is recorded in the sumptuous acoustics of St Paul’s Episcopal Church in Greenville, NC and is truly one of the most beautiful recordings we have ever made.

For upcoming organ recordings, we have just finished two projects---a recording of the Great Organ of the Washington National Cathedral with Scott Dettra (which starts with Copland’s “Fanfare for the Common Man”) and the complete organ works of Jean Titelouze, France’s first organ composer, recorded by Robert Bates on an organ from 1630 which Titelouze probably played at some time during his tenure as Cathedral organist in Rouen...

Click to read the full interview with our very own Roger Sherman!

We're very excited to be back and with a new partner, and look forward to sharing more here, and talking on our Facebook Page and Twitter!


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