Monday, November 29, 2010

Advent Music!

If you missed Sunday's Organ Loft broadcast, you missed us kicking off the official beginning of the Advent Season! So today we want to highlight the albums featured on the show to kick off the Christmas celebrations!

Advent Procession Based on The Great "O" Antiphons
Choirs of St. Mark's Cathedral, Seattle, Washington
J. Melvin Butler, organist/choirmaster
Peter Hallock, choirmaster (Compline Choir)
Roger Sherman, organist


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Praise the Spirit: Sacred Music of David Ashley White
Alan Austin, violin
Martha Chapman, violin (track 3 only)
Brady Knapp, baritone
Garrett Martin, trumpet
Patty Moeling, flute
Sarah Oldrin, soprano (track 22 only)
Johanna Peske, oboe
Celeste Proffitt, percussion
Laurie Robertson, soprano
Mitzi Storey, recorder
Brian Vogel, percussion
David Ashley White, keyboard (track 1 only)
Laura Witt, harp
The Choir of Palmer Memorial Episcopal Church, Houston, TX
Brady Knapp & Courtney Daniell-Knapp, directors


David Ashley White is one of the most popular composers in the Episcopal Church today. From anthems to hymns, this recording offers a variety of music and texts. The Choir of Palmer Church has long been associated with White's music, and gives the program a polished performance in a reverberant setting. Recorded by the legendary John Proffitt.

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Christmas in the Grand Tradition
The Wanamaker Organ at Macy’s Center City
The Philadelphia Brass Ensemble
Peter Richard Conte, Grand Court Organist


Christmas carols on a grand scale! Under the dazzling fingers of organist Peter Richard Conte, the world's largest musical instrument teams up with the Philadelphia Brass in this program of Christmas favorites. A sonic spectacular!

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The Leipzig Chorales of J.S. Bach
Flentrop Organ of Duke Chapel
Joan Lippincott, organist


When Bach died in 1750, he left behind an incomplete manuscript that was perhaps being prepared for future publication. The intent of the collection, or the organizational scheme are difficult to discern, but Bach may have been planning something on the same scale as Clavierübung III (the "German Organ Mass"). Whatever the intent, these enlargements and revisions of earlier chorale preludes contain some of Bach's most sublime musical moments.

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