Buxtehude's visit with Arp Schnitger in Hamburg in 1687 began an association that lasted for many years and resulted in the building of the four manual organ at the Cathedral in Lübeck, as well as modifications to the organ at Saint Marien. As there are limited details regarding registrations for Buxtehude's music, Hans Davidsson explores the encounter between the music and the four manual organ in Göteborg, Sweden to bring new perspectives to his performance on this final volume of the complete works of Buxtehude.
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